It is hard to believe that the first album came
out three years ago, what has been going on in the Exit Calm camp since ten?
Yes, we know it's been a
little while but we're all very happy with the new album, so we think it will
have been worth the wait. As well as writing and getting the album ready
we parted company with our old management and have a new manager, who is doing
a great job for us.
Your self-titled debut album was released in May
2010 and your new album is coming out in September 2013, was there a different
process for this album? Or did you just want to go into the studio and smash it
out?
We never really go in the
studio to mess about or experiment, even if we only have the bones of a song,
we usually know specifically where we to end up by the time we're actually in
the studio. The songs are more direct on this album and as a result it's a bit
more 'lean', in our opinion anyway. The band is a total democracy so the
process hasn't changed massively; it’s more
the efficiency of the way we do things that's changed this time
around.
V festival in August is coming up anything
special planned for that?
As always we want the live
shows to be as good as they can be. We will be hammering rehearsals up until
the gig so we can be as relaxed as possible when the weekend comes. Once you
get on a stage at a festival, you've just got to hammer it and hope all the
toil has paid off.
Is the artwork on records important to you or
not?
I'm rubbish with artwork but
I know what I like to see so I try to give my opinion as best I can. Sime's
more the man behind our artwork,
with Jamie Briggs who does
the majority of the work and did all the artwork for this album. It's important
that the record looks good, but I don’t think we are solely into suggesting it
as a symbol of what's inside.
Every band gets labeled as sounding like someone
else, do you see this as a good thing or does it pigeon hole you?
Depends who says it really doesn’t
it? When fans are into your band you can only take it as a compliment and
likewise with reviews. It's no shock when we do get compared to bands and we
are usually into them anyway. I just think sometimes when people use it as a
weapon against you it's a bit lazy and sometimes it assumes that somehow to
compare us to a band in that way would hurt us. It doesn't - we're flattered,
they reference good, successful bands.
Where has been the best place you guys have
played?
We can’t get a question like
that and not mention Tokyo. We were lucky enough to go out to Japan early on in
the bands life, and it was everything you would expect it to be. We also played
Barrowlands in Scotland, which again is an amazing venue and also the
Roundhouse in London. We also played the Astoria twice before they knocked it
down. They were great gigs.
You have a reputation of being a raucous band
live on stage, do you pay attention to where each of you are, or do you just go
for it anyway?
I'm always aware of where the
other three are on stage and they obviously know where I am on the drums. We
all go for it when we get onstage but I think to make the wall of sound work
there has to be contact between us and a level of togetherness otherwise 'every
man for himself' would come across in the music.
If you could collaborate with anyone who would
it be?
Tough question, I'm not sure
how that would work in our band, as in another musician.
Where do you see the band in five years time?
I don't think there’s any
point in being involved in something like this if you’re not going to push it
as far as you possibly can. I want the band to be massive; it's all about
getting your music to the people, so why not get it to as many as you can.
Scott Pemberton - Drums
No comments:
Post a Comment
Note: only a member of this blog may post a comment.